When the copyright industry is demanding that Google censors “search results” from their investigative reports, they are demanding that an investigative news agency alter their journalistic findings because those findings of fact happen to be starkly embarrassing to the copyright industry. Further, the copyright industry is also demanding that the news agency should lie to the public about what the world actually looks like.

The current legal system around sampling is outdated and broken. It was created in 1991 by a judge throwing Bible quotes around who (more importantly) failed to consider the doctrine of fair use. Treating all samples the same unfairly burdens producers who use samples to create unique and original work. They system has been maintained by the economics of how it benefits players in the industry with the most time, money, and lawyers. The claims of producers like Girl Talk - that sampling constitutes fair use and is in line with copyright law - should see its day in court. Until it does, the music industry will continue to be hampered by ambiguity that stifles creativity. Clearing samples can be impossible for all but the biggest stars, which leaves the music industry’s dreamers facing a hard choice between restricting their creativity or making music with the nagging fear of a lawsuit. A law that makes it impossible to play by the rules is not a good one.

[Jag läser aldrig någonsin Aftonbladet men jag blev tipsad om denna debattartikel...] Media spelar dess­utom upphovsrättsbolagen rakt i händerna. De skriver glatt att ”debatten är över” därför att Spotify, ”lösningen”, finns. Lösningen på vad? För problemet låg aldrig hos artisterna eller konsumenterna, utan hos en industri i kris. En liknande kris som medierna själva befinner sig i, där de själva letar efter ”lösningen”. Att Spotify är ett nytt monopol måste ifrågasättas. Var är de annars så kritiska kultur­skribenterna?

The Encrypted Media Extensions (DRM in HTML5) specification does not solve the problem the authors are attempting to solve, which is the protection of content from opportunistic or professional piracy. The HTML WG should not publish First Public Working Drafts that do not effectively address the primary goal of a specification.

Soverain isn't in the e-commerce business; it's in the higher-margin business of filing patent lawsuits against e-commerce companies. And it has been quite successful until now. The company's plan to extract a patent tax of about one percent of revenue from a huge swath of online retailers was snuffed out last week by Newegg and its lawyers, who won an appeal ruling [PDF] that invalidates the three patents Soverain used to spark a vast patent war.

The ruling effectively shuts down dozens of the lawsuits Soverain filed last year against Nordstrom's, Macy's, Home Depot, RadioShack, Kohl's, and many others (see our chart on page 2). All of them did nothing more than provide shoppers with basic online checkout technology. Soverain used two patents, numbers 5,715,314 and 5,909,492, to claim ownership of the "shopping carts" commonly used in online stores. In some cases, it wielded a third patent, No. 7,272,639.

The MPAA & RIAA claim that the internet is stealing billions of dollars worth of their property by sharing copies of files. They're willing to destroy the internet with things like SOPA & PIPA in an attempt to collect that money.

...

Let's just pay them the money! They've made it very clear that they consider digital copies to be just as valuable as the original. That makes it a lot easier to pay them back in two ways: a. We can email them scanned images of dollar bills instead of bulky paper and b. We don't have to worry about the hassle of shipping huge quantities of cash.

Our system of law doesn't acknowledge the derivative nature of creativity. Instead, ideas are regarded as property, as unique and original lots with distinct boundaries. But ideas aren't so tidy. They're layered, they’re interwoven, they're tangled. And when the system conflicts with the reality... the system starts to fail.

The SavetheInternet.com Coalition is two million everyday people who have banded together with thousands of nonprofit organizations, businesses and bloggers to protect Internet freedom.

In the debate about the American “Stop Online Piracy Act”, some have hailed the decade-old American DMCA as a law that was somehow beneficial for the development of new services on the net. This is not only a complete misconception, but a very dangerous one at that. The DMCA was basically a wet dream come true for the copyright industry, and the “safe harbor” provisions have gradually shifted the environment to suppress free speech and expression in favor of the suppressing industries: the copyright industries.

GfK Group is one of the largest market research companies in the world and is often used by the movie industry to carry out research and studies into piracy. Talking to a source within GfK who wished to remain anonymous, Telepolis found that a recent study looking at pirates and their purchasing activities found them to be almost the complete opposite of the criminal parasites the entertainment industry want them to be.

The study states that it is much more typical for a pirate to download an illegal copy of a movie to try it before purchasing. They are also found to purchase more DVDs than the average consumer, and they visit the movie theater more, especially for opening weekend releases which typically cost more to attend.

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