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PhotoPrism® is an AI-Powered Photos App for the Decentralized Web. It makes use of the latest technologies to tag and find pictures automatically without getting in your way. You can run it at home, on a private server, or in the cloud.

Google Inc. on Wednesday released new Street View images showing the present condition of the Tohoku region devastated by the March 2011 earthquake and tsunami as the country marked the fourth anniversary of the disaster, which left more than 18,000 people dead or missing.

The U.S. company posted pictures taken since November 2014 online as part of a project launched in 2011 with the aim of keeping the memories of the disaster from fading.

We extracted the colors from 10 million Creative Commons images on Flickr. Search this collection by color. Addictive and very likely the best color search engine in the world*!

MediaGoblin is a free software media publishing platform that anyone can run. You can think of it as a decentralized alternative to Flickr, YouTube, SoundCloud, etc. It's also:

* The perfect tool to show and share your media! * Building tools to empower the world through decentralization! * Built for extensibility. Multiple media types, including video support! * Part of the GNU project and devoted to user freedom. * Powered by a community of people like you.

The first underwater panoramic images were added to Google Maps with the help of Catlin Seaview Survey scientific expedition, which hoped that the up-close view of underwater wonders would inspire people to protect them.

How do you photograph one of the most secretive countries in the world?

For Charlie Crane the answer was simple, photograph what they want you to see. If there is no possibility of getting underneath the surface then the answer was to photograph the surface itself. This series is taken from a larger body of work in Pyongyang, the capital city of North Korea.

Although not commonly thought of as a holiday destination all these photographs have been taken at tourist sites throughout the city.

Given the images people see on TV and the headlines written about Afghanistan over the past three decades of war, many conclude the country never made it out of the Middle Ages.

But that is not the Afghanistan I remember. I grew up in Kabul in the 1950s and '60s. When I was in middle school, I remember that on one visit to a city market, I bought a photobook about the country published by Afghanistan's planning ministry. Most of the images dated from the 1950s. I had largely forgotten about that book until recently [...]. But recently, I decided to seek out another copy. Stirred by the fact that news portrayals of the country's history didn't mesh with my own memories, I wanted to discover the truth. Through a colleague, I received a copy of the book and recognized it as a time capsule of the Afghanistan I had once known -- perhaps a little airbrushed by government officials, but a far more realistic picture of my homeland than one often sees today.

Tom Guilmette spent a productive evening locked in a Las Vegas hotel room with a Phantom Flex high-speed/high-def video camera, taking high-speed footage of water, breaking glasses, himself jumping on the bed, and other everyday phenomena that become amazing and dramatic when slowed down to wachowskiian speeds and cleverly edited.

Tepco's photos and video clips from inside the Fukushima Daiichi nuclear power plant.

It was deserted. It was eerie. There was still food on tables; slippers in the doorways of people’s houses; packs of dogs running around on the streets. Maybe the eeriest thing is in the mud left from the receding tsunami water: footprints everywhere. You could literally see where people had left their homes and left abandoned cars and walked through the mud and left town.

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