For over a decade, Russian society has been bombarded with hardcore, revanchist propaganda. The West did not take note.

eBooks from Amazon are locked down and distributed in a way that is hostile to both authors and readers. You don't own the book. You cannot lend the book. Renting Kindle-compatible eBooks from the library is arduous and limited by artificial constraints; you literally need to return a book before another person can rent it.

When I want to search an Amazon eBook that I "own", I have to log onto Amazon's cloud computer. Further, the open .epub eBook format is not compatible with the Kindle; readers must use Amazon's .mobi file format. Some .mobi files are incompatible with my device, but I have only discovered which ones after I purchase. I cannot even highlight my purchased Amazon eBooks without running into usage violations. Highlight lengths have arbitrary limitations.

Edith Sheffer argues in Asperger’s Children that, regardless of the science, and regardless of whether autism is one condition or several, it remains steeped in the cultural values of its Nazi origins, and in the idea of a model personality: obedient, animated by collective bonds, socially competent, robust in mind and body. Rooted in years of meticulous archival research, Sheffer’s book has already had an impact on activists who have called for the burial of Asperger’s syndrome along with statues honouring racists. But that’s too easy. Her book does not offer a univocal message. It explores the various ways in which, over time, cultural ideals shape ‘scientific’ diagnoses, and vice versa. It’s about the way words like Gemüt create models, and the way these models help create ‘defects’. It’s about conscious and unconscious complicity, in-the-moment improvisation, and the moral grey areas where so much human action takes place.

The open source community produces a large amount of software for different uses. I have already told you about open source tools for interactive fictions. Here are eleven open source tools to help authors be creative.

The Complete Works of H.P. Lovecraft contains the original stories which Lovecraft wrote as an adult. It begins in 1917 with “The Tomb” and ends in 1935 with his last original work “The Haunter of the Dark.” The book is ordered chronologically by the date the story was written. Because Lovecraft was a terrible businessman and left no heirs to his intellectual property, all of his works are already in the public domain. I did not include collaborations or revisions because some of those works may still be under the co-author’s copyright. There also left out two completely non-Weird very early stories.

Booktype allows authors to create beautiful books for print and digital distribution. Publishers use Booktype to manage their entire catalogue in one place, providing authors, translators and proofreaders with all the tools they need.

This is a selective list of some short stories and novels that use more or less accurate science and can be used for teaching or reinforcing astronomy or physics concepts. I include both traditional “science-fiction” and (occasionally) more serious fiction that derives meaning or plot from astronomy or physics ideas.

Here now is a first look at the CCCP Cook Book: True Stories of Soviet Cuisine (Fuel Publishing) by authors and historians Olga and Pavel Syutkin. It's a rare glimpse into the decades around when the USSR (CCCP) was transitioning to Communism. Food shortages and limited access to staples like bread, milk, and fresh produce were commonplace in the Soviet Union in the 1950s and 1960s. Whenever rations are tight, creativity rules. Every day citizens were inspired to invent dishes that sustained them through long winters and hard economic times. Meanwhile, the ruling class feasted on luxuries like suckling pig and caviar. Class distinctions are crystal clear in each recipe; the Syutkins note that some of the images are of dishes that would have only been considered "aspirational fantasy for the average Soviet household."

The Oregon Shakespeare Festival will announce next week that it has commissioned translations of all 39 of the Bard’s plays into modern English, with the idea of having them ready to perform in three years. Yes, translations—because Shakespeare’s English is so far removed from the English of 2015 that it often interferes with our own comprehension.

“I… I died?”

“Yup. But don’t feel bad about it. Everyone dies,” I said.

You looked around. There was nothingness. Just you and me. “What is this place?” You asked. “Is this the afterlife?”