On the topic of copyright, you NOW have the chance to have an influence – a chance that will be long lost in two years, when we’ll all be “suddenly” faced with the challenge of having to implement upload filters and the “link tax” – or running into new limits on what we can do using the web services we rely on.

In stark contrast to the GDPR, experts near-unanimously agree that the copyright reform law, as it stands now, is really bad. Where in the case of the GDPR the EU institutions pushed through many changes against the concerted lobbying efforts of big business interests, in the copyright reform they are about to give them exactly what they want.

Thanks to the “smart” revolution, our appliances, watches, fridges, and televisions have gotten a computer-aided intelligence boost. But where there are computers, there is also copyrighted software, and where there is copyrighted software, there are often software locks. Under Section 1201 of the DMCA, you can’t pick that lock without permission. Even if you have no intention of pirating the software. Even if you just want to modify the programming or repair something you own.

Malware means software designed to function in ways that mistreat or harm the user. (This does not include accidental errors.) This page explains how Microsoft software is malware.

After years of warning that the secretive Trans-Pacific Partnership would be devastating for Internet freedom, intellectual property experts have finally gotten to look at the final draft of the proposed treaty.

And they say it’s as bad as they feared.

In a ruling by United States District Judge Thomas P. Griesa in the United States District Court in Manhattan, Grooveshark parent company Escape Media and two of the company’s top executives were found liable for infringing the rights of the labels on a grand scale.

So, sadly, this may spell the end of Grooveshark, the only music streaming service I know of that doesn't suck. Bummer.

Open source software has come a long way since the moniker "open source" was first coined in 1998. The Cathedral and the Bazaar helped to explain this new paradigm of software production, and history has proven that the profound implications predicted by Raymond’s essay were not only credible, but now also obvious. And perhaps because of the open source software community’s awesome record of success, those who work outside the strict boundaries of software development have started to wonder: Are there new paradigms, based on open source principles, that could rock our world, too?

When the copyright industry is demanding that Google censors “search results” from their investigative reports, they are demanding that an investigative news agency alter their journalistic findings because those findings of fact happen to be starkly embarrassing to the copyright industry. Further, the copyright industry is also demanding that the news agency should lie to the public about what the world actually looks like.

The current legal system around sampling is outdated and broken. It was created in 1991 by a judge throwing Bible quotes around who (more importantly) failed to consider the doctrine of fair use. Treating all samples the same unfairly burdens producers who use samples to create unique and original work. They system has been maintained by the economics of how it benefits players in the industry with the most time, money, and lawyers. The claims of producers like Girl Talk - that sampling constitutes fair use and is in line with copyright law - should see its day in court. Until it does, the music industry will continue to be hampered by ambiguity that stifles creativity. Clearing samples can be impossible for all but the biggest stars, which leaves the music industry’s dreamers facing a hard choice between restricting their creativity or making music with the nagging fear of a lawsuit. A law that makes it impossible to play by the rules is not a good one.

[Jag läser aldrig någonsin Aftonbladet men jag blev tipsad om denna debattartikel...] Media spelar dess­utom upphovsrättsbolagen rakt i händerna. De skriver glatt att ”debatten är över” därför att Spotify, ”lösningen”, finns. Lösningen på vad? För problemet låg aldrig hos artisterna eller konsumenterna, utan hos en industri i kris. En liknande kris som medierna själva befinner sig i, där de själva letar efter ”lösningen”. Att Spotify är ett nytt monopol måste ifrågasättas. Var är de annars så kritiska kultur­skribenterna?

The Encrypted Media Extensions (DRM in HTML5) specification does not solve the problem the authors are attempting to solve, which is the protection of content from opportunistic or professional piracy. The HTML WG should not publish First Public Working Drafts that do not effectively address the primary goal of a specification.

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